Green Day Review
I've been gone for a while, I know...trying to get myself reenergised, refreshed and relaxed! The exams are just over, and I'm elated that the holidays had started with a bang!
So totally caught Terminator Salvation; lemme tell you something, Sam Worthington is the hottest dude ALIVE! (Well, there are hotter ones, but still.) He has these pair of gorgeous chocolate brown eyes, short crew cut and that gorgeous jawline (thanks kimmy) that can cut through glass! AWWWWW, he gives my heart the melts!
The movie revolves around John Connor (played by the drool worthy Christian Bale), who is pretty much the 'big man upstairs' of the Resistance, an organization created against the domination of machines in the year 2018. He meets this character, Marcus Wright (Sam), through his colleague, Blair (Moon Bloodgood. Doesn't her name sound like a fricking Twilight character?). A lot of guns, gore (a guy got shot in the weiner during this movie! lol!) and plenty of destruction. A stunner.
OHHHHH AND I HAVE THE NEW GREEN DAY ALBUM! SALVATION FINALLY!
The album is so incredibly melodic; it's heartwrenching and beautifully written. It takes a while before you start understanding the album's concept and the direction it is heading. This album is an epic rock opera, depicting two distinctly different characters; a self-destructing, narcissist by the name of Christian and a polar opposite of a girl by the name of Gloria. Gloria is an idealistic, politically aware woman, who understands the tricks of the trade in this cruel world. Though both of them are worlds apart in terms of their family and background, they meet and eventually fall in love.
Well, that's my ideal ending, I'm not sure how it ties itself.
Anyway, the 58-second soundbite is a solid, compact piece; Billie Joe's voice is surprisingly soft and extremely well-pitched. A fusion of theatricality and forties' nostalgia, this kickstarts the album into full gear, and gets your adrenaline pumping.
It hits into its title track, '21st Century Breakdown', a counterfeit track of their earlier efforts, 'Warning'. It's mostly pop-driven, and its blatantly obvious that Green Day has been digging through their old sixties records for inspiration; not my particular favourite track as it sits painfully between two facets of Green Day that I've come to respect and admire; it's neither hard-hitting rock, or melodically potent to sit in the big leagues of Green Day's ballads such as 'Whatsername' and 'Time of Your Life'.
But it slowly picks up pace when their first single, 'Know Your Enemy' starts blaring through my radio! It's catchy enough for commerical radio, and just enough spunk to whet my appetite for the songs to come. Gaining heavy rotation in Malaysia, I'm sure it has 'hit song' written all over it! The chorus carries a 'punch-in-the-air' swagger and holds a great hook that immediately gets stuck in my head.
Viva La Gloria I is the real gem of the album, one of my personal favourite songs off this album. It is so gorgeously written, married with the twinkling of the ivories and a side of Billie Joe NONE of us GD fans had ever seen before. It starts off a ballad for about the first minute and a half, until it transcends boundaries into a heart-thumping anthem. The lyrics in this song is a more evolved, matured Green Day, proving once and for all, that this band is a legend on its own.
She smashed her knuckles into winter
As autumns wind fades into black
She is the saint on all the sinners
The one that's fallen through the cracks
If you've listened long enough, you'd understand the significant change in terms of Green Day's approach on songwriting. During their Dookie days, their lyrics were gritty, and sometimes, it didn't make a lot of sense; it was obvious that Billie Joe was going through a tough time with his life, and that was evident in his lyrics. His lyrics now are more compelling, and he is able to fully portray the image of his protaganists and their mindset during that period. Though he is content, it doesn't mean that his lyrics have softened or lack in biting humour; you still feel him channeling his feelings through his work.
Another song that was so painfully poignant was their OTHER ballad, 'Last Night On Earth'. It is one of the best songs off their album; it's extremely Beatle-esque; tragic, poetic and timeless. It's not a classic Green Day I'd known, but I'm still pleased with this new sound Green Day's experimenting with. 'Last Night', to me, resembles a spacious room, a venue for change and evolvement that allows the song to soar. It brings forward an array of emotions; the tragic, dull ache of loss, and the hopeful glimmer of light that makes it way through the song.
'EJN' (East Jesus Nowhere) is a slap-in-the-face effort that pulls the fighters together and has allowed Green Day to claim back the title as pivotal punk rockers of our time. It throws everything out in the open; from racism to media censorship. Inspired by a line used in the quirky indie flick, 'Juno', Green Day had created a great track that's noisy, fun and angry, without the element of goofiness and immaturity; Green Day's grown so much over these few years, as seen from 'American Idiot'.
'Peacemaker' on the other, is an entirely different route altogether from the album. It has a sense of polka, Mexican Latino flavour, with the Billie Joe trademark 'hey hey' chant thrown in for good measure. Probably the first track that latched on to me, and made me wanna dance my ass off. I can't really explain this song, really...it requires the actual experience of listening and feeling this song as it is. Reminiscent of their heyday during 97's Nimrod and 00's Warning, one of the better tracks of this album. Caution; extremely catchy and infectious, might get stuck in your head for days to come.
'Last Of The American Girls' did not sit well for me at first, because it reminded me too much of Click Five's Jenny. It was bordering on bubblegum pop, with the tacky keyboard and the equally tacky bop-bop-bop tune. The lyrics are simple and easy, with plenty of substance, but there were some parts that just didn't fit right for me. Some raging cynics might call this a ripoff of their younger counterparts, but after taking several spins of this song, I guess I can understand where Green Day was heading in the making of this song. It's originally written for Billie Joe's wife of 14/15 (not keeping track) years, Adrienne Nesser. Yeah, it's a great song, but I much prefer the earlier song Billie had written for her when they just started out, '80'.
I'm tired. Will put the rest up next week.

